My name is Rudi O’Meara. And I’m a Black List recommended screenwriter with multiple projects in development. My work has been recognized by Script Pipeline, AFF, Roadmap Writers, Final Draft Big Break, Page, and ISA. And I’ve been honored to be featured on The Red List, The Grey List, The Originals Bureau, The Stunt List, Six Shooter Screenplays, and The Dead List.

I’ve been a storyteller basically as long as I can remember—much to my family’s chagrin. My wife (who’s my first and most important reader) often wishes I didn’t have quite so much to say. In general, my writing tends to feature flawed characters struggling to redefine themselves (and their tribe) in order to survive. And I see genre as a tool for exploring taboo subjects in unexpected and arresting ways. Oh, and I love it when my characters start using their words all on their own.

Accolades & Recognition

 

The Escapist


The Escapist” is a work of dark grace. Just when you thought it wasn’t possible to do anything new with the WWII subgenre, this author presents a phantasmagoric combination of pastiche, desire, brutality, and—in every sense—romance. The originality on display here is outstanding, and the fantasy sequences are truly beautiful.
— The Black List

In a bid to survive WWII without firing a shot, a naive young jazz-obsessed musician joins the Musikkorps Leibstandarte-SS (Hitler’s elite personal orchestra) and soon finds himself thrust into some of the fiercest fighting of the war.

 
 

Amends


We wanted to reach out immediately and let you know that “Amends” is our Pitch Now Season 5 Overall Winner! We loved the script FYI. It’s a fun read, a viable concept, and just a very cool project that we’re all excited to get behind.
— Scott Prestin, Executive Editor, Filmmatic

A washed-up ’90s sitcom star receives a terminal diagnosis and—hounded by the ghost of his dead agent—embarks on a chaotic, darkly funny mission to make amends with everyone he’s ever wronged.

 
 

The 10th


This is a really great spin on a classic. It feels like it’s chasing Hemingway in the Alps: a simple story about combat, about loss, set against a kind of mythically foggy, white background. It’s a movie that we haven’t quite seen in the WWII genre. The setting is so rich, and has so many striking images that lend a sort of lyrical quality to the action. One could see a director really sinking their teeth into this.
— The Black List

In a daring attempt to break through Hitler’s Gothic Line in Italy, two battle-scarred American mountaineers and a turncoat German ski soldier reluctantly join forces to lead one of the most spectacular raids in military history. Inspired by true events.

 
 

Rejuvenation


The writer of “Rejuvenation” has an immensely strong handling of genre, bringing both comedy and horror in equal measure to create an original story with as many scares as laughs. This works well to put the biting satire of the story at front and center without taking away from compelling characters and a conflict heavy plot.
— ScreenCraft

After discovering her husband is cheating on her, a middle-aged woman follows her BFF to a remote spa promising a genetically rejuvenated self. Soon though, both women find themselves being hunted down by their younger, hotter, optimized selves.

 
 

Major


Bringing into the light a largely forgotten Black pioneering athlete, MAJOR is a powerful depiction of how institutional racism wears away at even the most indomitable of spirits. It’s a thrilling sports drama with naturally adrenalized race sequences that feature both bone-crunching spills and evocative imagery. Major’s drive to become “a man” is heartbreakingly pure in theory but shockingly corrosive in practice.
— The Black List

A Black cycling prodigy fights to be crowned the fastest man alive at the height of the Jim Crow era—only to discover that no amount of endurance can earn him the one thing he deserves and desires: equality.

 
 

Yours Ever After


YOURS EVER AFTER is an original and gripping thriller that goes to some very intriguing places. The premise is provocative and ambitious. Perhaps where the script most finds its strength is in its humanity. This is a fantastical story that breaches the veil between life and death and keeps us on the edge of our seats throughout. Before that, however, it puts time and heart into establishing its characters on a personal and vulnerable level.
— The Black List

After her tech-founder fiancée dies of a mysterious blood clot, a gifted but guarded AI engineer follows her crippling hallucinations to his father’s Silicon Valley afterlife institute—where the man she’s mourning might be very much alive.

 
 

Escape Velocity


The script is a triumphant blend of heartwarming relationships and high-stakes adventure. The lovable characters, particularly Jonas and his feisty stepsister Maddie, steal the spotlight with their engaging dynamic and relatable growth. The script expertly weaves personal development with a gripping espionage plot, offering a unique and captivating narrative that keeps audiences both emotionally invested and on the edge of their seats. This tale is a celebration of resilience, family bonds, and the power of unexpected connections, making it a truly enjoyable and memorable cinematic experience.
— ScreenCraft

After the explosion of the Space Shuttle Challenger, a bookish teen and his foulmouthed stepsister join his estranged father on a high-stakes road trip to stop a Soviet spy intent on sabotaging the US Space Program. Inspired by true events.

 
 

Merit


Merit” is a really fun, smart, well-written dark comedy in the vein of “Lucky Logan” meets “Moonrise Kingdom”. The main trio of petty criminals are great characters. The contrast between the jaded adults and the kids is a great dynamic—and the turn to have Ray and Kelly eventually become their stand-in parents in a way is a great conclusion. This is the script of a talented writer and, as a whole, it’s a project that feels like it has legs. This reader can easily imagine that it could eventually be produced.
— The Black List

A charming (if unlucky) band of low-level drug dealers pose as Boy Scout troop leaders to steal a shipment of cocaine from a Mexican drug cartel and smuggle it into 1970s Aspen, Colorado. Think: “Drugstore Cowboy” meets “The Bad News Bears”.

 
 

Midnight at the Caravelle


The script has the same snappiness and energy that viewers will see on the screen. It does a fantastic job bringing its settings to life on the page—heightening the tension throughout with clever, intriguing moments of antagonism. There’s certainly a conflict-rich concept at the core of this story.
— The Black List

An idealistic young intelligence officer finds himself slipping into a double life of espionage and crime after being tasked with infiltrating and taking down a smuggling ring in 1970 Saigon.

 
 

Don’t Go There


This is an extremely imaginative, unhinged, and funny sci-fi horror comedy never afraid to think outside the box and one-up its own insanity. The way it brings nuclear consequences, strange natural phenomena, zombies, vampires, mutations, and the recent pandemic all together into one cohesive story is truly impressive, and a lot of fun. “Don’t Go There” is hilarious, outrageous, and terrifying. It’s original at every step, and stands out for its sheer audacity.
— The Black List

Two female co-founders of a super hot tech start-up take a rival CEO up on his offer of some post-IPO R&R on his private island in the South Pacific. Turns out, all is not as it seems on the island—a former French nuclear test site.

 
 

The Untimely Demise of that Awful David Schwartzman


This is a very entertaining read, and the story offers a ton of exciting details throughout each act of the pilot. It’s masterful. It’s laugh out loud funny. It’s efficient in the action. It’s unique and it’s captivating. This script is very fun, and the writer has a consistent/powerful voice throughout.
— The Black List

After the murder of their legendarily toxic boss—famed indie film producer David Schwartzman—two young, cinema-obsessed assistants find themselves caught in a tangled web of lies, criminality, and high-stakes Hollywood intrigue.

 
 

Omnilingual


The breathless excitement of discovery in films like “Contact”, “The Martian”, and “Tomb Raider” is infused, in this script, with a dash of clever intellectualism redolent of films like “Arrival”—crafting a gripping and compelling sci-fi adventure that sustains its momentum and entertainment value all the way to its riveting final scenes. This script undeniably harbors potential on both the big screen and any number of premium streaming platforms.
— The Black List

Recruited to decipher the language of an ancient civilization recently discovered on Mars, an archaeologist and her ex-husband find themselves in a desperate race to expose a shocking truth about humanity’s place in the universe.

 
 

Seed


A pleasing horror/sci-fi hybrid, this script manages to pack in a lot of classical tropes, reconfiguring them into a real rollercoaster action adventure. The high concept is compelling from start to finish. And the additional element of paranoia (with shapeshifters) keeps the pulses pounding. It’s about time somebody found way to use The Doomsday Seed Vault!
— ScreenCraft

An international team of scientists based at the remote Doomsday Seed Vault and World Data Archive near the Arctic Circle find themselves singlehandedly attempting to repel a plant-based alien invasion.

 
 

Message the Shooter


Message the Shooter” is a fun adventure/thriller that imagines the life of a less-than-impressive negotiator in a situational assassin comedy. Quirky character films like “Catch Me If You Can” meets the action of “Homeland” and “24”, but with the darkly comedic tone of “The Flight Attendant” and a whole lot of guns. The writer has talent, creativity, and a strong voice that, with development, will be sure to reel audiences in.
— The Black List

A hot-tempered ​FBI hostage negotiator gets tapped to take down an elite assassin on a killing spree targeting the world’s worst CEOs. Turns out, the shooter is actually her estranged father.

 
 

Turn, Turn, Turn


This is a wild sci-fi with well-written action sequences and vivid characters. There are strong elements of comedy that are presented throughout. And the action provides a strong sense of pace. The final act of the script has the potential to be quite exciting. And the quick switches between time periods, and the use of doors to frame these new worlds as the climax builds would be visually rich.
— WeScreenplay

A middle-aged couple on the brink of divorce discover a mysterious pocket watch in their Haight-Ashbury Victorian that transports them back to 1967—where the Summer of Love gives them one last shot to rekindle their spark.

 
 

Broken Stones


Broken Stones” has the authenticity and texture of a well-researched novel. Its depiction of a turbulent Berlin in 1990, the rich backstory of the family’s past, and the mechanics of the job itself are all thoroughly convincing and real. The way the horrors of the Holocaust inform and motivate this period heist film make it feel unique and of historical relevance.
— ScreenCraft

Three generations of thieves—one retired, one reformed, and one recently released from prison—travel to East Berlin in the aftermath of the collapse of the Berlin Wall to steal a painting and uncut diamonds seized from their family during WWII.

 
 

Independence Pass


Spearheaded by young teenage narrator, Will, the cast of characters shines through in every scene of this script featuring a whip-smart, sarcastic and often outright hilarious collection of teenage would-be heroes whose perspectives and dynamics are as detailed, specific, and sharply-drawn as the offbeat world of 1970s Aspen that serves as their backdrop.
— The Black List

A ragtag pack of kids head up into the mountains above Aspen, Colorado in June 1977 searching for a long-lost silver artifact—and find themselves caught up in the manhunt for escaped serial killer, Ted Bundy. Based on actual events.

 
 

The Unanticipated Emancipation of Zebulon Pierce


Everything from the nitty-gritty details about everyday life of the time to the wistful, adventurous, surprisingly warm tone of the story feels great and serves to draw the audience into the deep, realistic, and (sometimes) comforting world of the story. The supporting cast of outlaws, true villains, and everyone in-between all have unique, compelling personalities that give them a lot of depth and character.
— The Black List

A young runaway searching for his father in the wilds of 1890s Colorado finds himself drawn to a life of crime after falling in with an oddball band of misfit bandits with exceptional diction and unimpeachable style.

 
 

Home


This script manages to address pressing issues like climate change and probable possibilities like AI sentience while also incorporating pop-culture references and lighthearted humour to create a well-rounded and unique script. This is a great story told in an even greater way. The script sets up the world seamlessly. And the dialogue stands out as one of its best features overall.
— WeScreenplay

After the world’s elite have fled for Mars, a reclusive tech titan volunteers to stay behind to reverse the ravages of climate change. But first, he and his menagerie of household robots must join forces with a dubious survivor to take down a malevolent AI intent on preventing humanity’s return.

 
 

Constellation


This script demonstrates of the power of a really strong idea. It’s the kind of movie that you feel certain you should have read before, but you haven’t. And it’s clear that this writer knows they’re onto something good, judging from the cover alone. This could be either “Gravity” with different actors or something like “Ready Player One” in space.
— The Black List

An international team of D-list celebrities sign on to compete in the world’s first space-based reality TV game show—only to find themselves accidentally embroiled in a burgeoning hot war between the world’s new superpowers.

 
 

Divided We Fall


This script is a really fun, well-executed spin on the format popularized by “The Twilight Zone” and pushed forward by “Black Mirror”. Its lead characters are sharp and relatable, their conflict is clear, and their relationship is rendered tenderly and humorously. The film is sneakily progressive in a confident, quiet way, and its use of science fiction to metaphorize the pitfalls of social media is adept as well. The lead parts are very castable too, and play off each other nicely.
— The Black List

A feuding pair of gay empty nesters on the verge of a divorce find themselves embroiled in what might be a Silicon Valley alien invasion.

 

So, there you go. That’s what I did instead of baking sourdough bread during COVID. And while I still have a ton to learn, I’ve really enjoyed the process of dreaming up scenarios, peopling them with colorful characters with actual needs, and then pushing myself to try to stick the landing in under 110 pages (yeah, I’m still working on that part). If you wanna know more about me, here’s a bit about my day job. And here’s my other, other side-hustle. Drop me a line if you have a spare second. Especially if you’re a manager on the hunt for an emerging screenwriter with a good eye.