“The Escapist” is a work of dark grace. Just when you thought it wasn’t possible to do anything new with the WWII subgenre, this author presents a phantasmagoric combination of pastiche, desire, brutality, and—in every sense—romance. The originality on display here is outstanding, and the fantasy sequences are truly beautiful.”

“This is a really great spin on a classic. It feels like it’s chasing Hemingway in the Alps: a simple story about combat, about loss, set against a kind of mythically foggy, white background. It’s a movie that we haven’t quite seen in the WWII genre. The setting is so rich, and has so many striking images that lend a sort of lyrical quality to the action. One could see a director really sinking their teeth into this.”

“The writer of “Rejuvenation” has an immensely strong handling of genre, bringing both comedy and horror in equal measure to create an original story with as many scares as laughs. This works well to put the biting satire of the story at front and center without taking away from compelling characters and a conflict heavy plot.”

“Merit” is a really fun, smart, well-written dark comedy in the vein of “Lucky Logan” meets “Moonrise Kingdom”. The main trio of petty criminals are great characters. The contrast between the jaded adults and the kids is a great dynamic—and the turn to have Ray and Kelly eventually become their stand-in parents in a way is a great conclusion. This is the script of a talented writer and, as a whole, it’s a project that feels like it has legs. This reader can easily imagine that it could eventually be produced.”

“The script is a triumphant blend of heartwarming relationships and high-stakes adventure. The lovable characters, particularly Jonas and his feisty stepsister Maddie, steal the spotlight with their engaging dynamic and relatable growth. The script expertly weaves personal development with a gripping espionage plot, offering a unique and captivating narrative that keeps audiences both emotionally invested and on the edge of their seats. This tale is a celebration of resilience, family bonds, and the power of unexpected connections, making it a truly enjoyable and memorable cinematic experience.”

“The script has the same snappiness and energy that viewers will see on the screen. It does a fantastic job bringing its settings to life on the page—heightening the tension throughout with clever, intriguing moments of antagonism. There’s certainly a conflict-rich concept at the core of this story.”

“This is an extremely imaginative, unhinged, and funny sci-fi horror comedy never afraid to think outside the box and one-up its own insanity. The way it brings nuclear consequences, strange natural phenomena, zombies, vampires, mutations, and the recent pandemic all together into one cohesive story is truly impressive, and a lot of fun. “Don’t Go There” is hilarious, outrageous, and terrifying. It’s original at every step, and stands out for its sheer audacity.”

“This is a very entertaining read, and the story offers a ton of exciting details throughout each act of the pilot. It’s masterful. It’s laugh out loud funny. It’s efficient in the action. It’s unique and it’s captivating. This script is very fun, and the writer has a consistent/powerful voice throughout. ”

“The breathless excitement of discovery in films like “Contact”, “The Martian”, and “Tomb Raider” is infused, in this script, with a dash of clever intellectualism redolent of films like “Arrival”—crafting a gripping and compelling sci-fi adventure that sustains its momentum and entertainment value all the way to its riveting final scenes. This script undeniably harbors potential on both the big screen and any number of premium streaming platforms.”

“A pleasing horror/sci-fi hybrid, this script manages to pack in a lot of classical tropes, reconfiguring them into a real rollercoaster action adventure. The high concept is compelling from start to finish. And the additional element of paranoia (with shapeshifters) keep the pulses pounding. It’s about time somebody found way to use The Doomsday Seed Vault!”

“Message the Shooter” is a fun adventure/thriller that imagines the life of a less-than-impressive negotiator in a situational assassin comedy. Quirky character films like “Catch Me If You Can” meets the action of “Homeland” and “24”, but with the darkly comedic tone of “The Flight Attendant” and a whole lot of guns. The writer has talent, creativity, and a strong voice that, with development, will be sure to reel audiences in.”

“This is a wild sci-fi with well-written action sequences and vivid characters. There are strong elements of comedy that are presented throughout. And the action provides a strong sense of pace. The final act of the script has the potential to be quite exciting. And the quick switches between time periods, and the use of doors to frame these new worlds as the climax builds would be visually rich. ”

“This is an enjoyable script that blends history with heists in a way that feels surprisingly grounded. The central premise is quite eye-catching. Frank’s resolve to retrieve the family heirlooms that were taken from him is inspiring. It makes him an easy hero worth rooting for. The setting within this piece of writing is also a standout. It’s difficult to draw up any other comparable films or TV shows that take place after the fall of the Berlin Wall and that establish such direct connections with World War II.”

“Everything from the nitty-gritty details about everyday life of the time to the wistful, adventurous, surprisingly warm tone of the story feels great and serves to draw the audience into the deep, realistic, and (sometimes) comforting world of the story. The supporting cast of outlaws, true villains, and everyone in-between all have unique, compelling personalities that give them a lot of depth and character.”

“This script manages to address pressing issues like climate change and probable possibilities like AI sentience while also incorporating pop-culture references and lighthearted humour to create a well-rounded and unique script. This is a great story told in an even greater way. The script sets up the world seamlessly. And the dialogue stands out as one of its best features overall.”

“This script demonstrates of the power of a really strong idea. It’s the kind of movie that you feel certain you should have read before, but you haven’t. And it’s clear that this writer knows they’re onto something good, judging from the cover alone. This could be either “Gravity” with different actors or something like “Ready Player One” in space.”

“This script is a really fun, well-executed spin on the format popularized by “The Twilight Zone” and pushed forward by “Black Mirror”. Its lead characters are sharp and relatable, their conflict is clear, and their relationship is rendered tenderly and humorously. The film is sneakily progressive in a confident, quiet way, and its use of science fiction to metaphorize the pitfalls of social media is adept as well. The lead parts are very castable too, and play off each other nicely.”